More Album Covers

I didn’t feel the need to keep a day by day accounting of the album covers I chose like in the previous post, however, I think I will mention the combination of day 2 and day 3, and why they struck me as significant. Significant in part because they were both introductions to several aspects of music for me. Coincidentally both of these albums found their way to me around the same time.

In the case of the Low End Theory; yes it was a big deal for me culturally because I was a teenager growing up in NYC, and I was starting to form my own opinions about Hip-hop. From my teenage point of view, I started down an explorations of sounds from this album which enviably led to a greater appreciation of jazz. Which is not difficult to hear in tracks like “We Got The Jazz”. I didn’t see it then, but the intersectionality of both of these forms of music is why I still listen to both genres today.

The other album covers is about the first brass quintet in saw live. The American Brass Quintet often performed recitals around NYC. My trumpet teacher at the time insisted her studio go to Lincoln Center to listen, learn, and enjoy. I remember hearing Ewald, an arrangement of Elizabethan music, Eric Ewazen, and perhaps some Gunther Schuller.
In any case, I became an instant fan of the group and soon after saving up some cash to buy their album. I can point to that concert as the inception of my love for brass chamber music, and my obsession with brass quintet literature.

More From Composition Game – Glass’ish

In August I posted a short composition I put together as part of a pilot program connecting me with an artist mentor. Somehow between then and now I didn’t get around to posting some of the other sketches. I mean to remedy that with this post.

A friend thought the minimalist gestures sounded a little like Philip Glass. I’ll take that, I like Glass…a lot.

Remembering a brass quintet recording – Drei Stücke

I was going through some files recently and came across an old program for a concert I played with a brass quintet. There were two big pieces on the program and both were pieces were obscure to me. The one I ended up looking for online was a piece by Stefan Hakenberg named Drei Stücke. Which translated means “Three Pieces” in german.

I like this composer and I believe his music should reach more people. Below are recordings of Drei Stücke from a recording done in Seattle with me and Matthew Swihart on trumpets, David McBride on horn, Greg Powers on trombone and Mike Woolf on the tuba.

The Composition Game

I was recently asked to participate in a pilot program connecting me with an artist of the same discipline to work with me and coach me achieve an important next step in my career. My peer mentor and I talked about using music composition as a way of stretching out to meet some artistic goals. The other goal was to get me to work around my writer’s block.

The game was to set aside an hour every day for the month of July to compose and explore ideas. There is no restriction about what I need to write, nor barriers to whom I was writing music for. The only stipulation was to set aside time to write music. By the end of the month, I would share with my coach about my process and some of the work created.

There was no stipulation that I would share any of this work publically, but I guess I need to put something out into the world. In any case here is one of the drafts I came up with. (forgive the MIDI sounds) This piece could still be orchestrated for any number of ensembles.

All of the pieces I started during this game used a 12 tone matrix. I gave myself this obstacle as a structure to help foster ideas.

 

14 Years and More

I recently celebrated my 14th wedding anniversary. This led me to think about all the things that led up to meeting my wife and some of the humbling experiences along the journey.

I remember sending off many applications thinking one of these school would accept me, because of my playing. Later I was humbled to learn that every city and state has its own versions of motivated musicians who are passionate about performance and happen to be good students too. So luckily I was accepted to a conservatory in New York City called the Manhattan School of Music. My choices at the time were MSM or the Army.

It was my luck to be accepted there because that is where I learned about becoming a student of what I love to do. I also met my first Thought Entrepreneur. He later became best man at my wedding, to the woman who I fell in love with at MSM.

I was not as strong a performer as my colleagues. The result was not being placed into an orchestra (humbled again). However, this gave me the opportunity of play in the Jazz Lab Band, and play with the percussion ensemble/ modern music ensemble and a brass quintet. I found myself again, feeling lucky.