I love having time to just listen to something new to me. I also love checking out familiar groups with new projects. One of the groups I like to follow is The Westerlies. I came across their NPR Tiny Desk Concerts performance from 2016. And I loved it! It’s a refreshing and inventive program, with great brass playing. Hope you agree.
The Westerlies have a bunch of other video’s to check out, just look them up
Recently I listened to another installment of the New York Times Popcast and became even more impressed with the level of discussion about America and in particular it’s relationship with President Obama. This is as close as I ever hope to get in communicating anything political in this forum, however there were a lot of good things mentioned about Obama in this podcast and I feel the need to share.
In my opinion, his most powerful moment was his performance of Amazing Grace at the funeral for victims of the Charleston church shooting. I still get chills when ever I hear or watch this moment unfold.
This time of year has traditionally been a time of reflection on the year which had just passed. Sometimes I even look through some old journals just to see what I was on my mind previous years. Recently I had opportunity to participate, prepared and give a TEDx talk. The process of putting it all together offered a level of self-reflection which I was not really ready for. However by the end of this undertaking I felt the message in the talk represented some of my journey as an artist. The self-doubt, the persistence, the tension, and the development.
In the end, I would not have done this with out the help and encouragement of the TEDx coaches, my wife, my family, the other TEDx participants and ultimately the my friends.
Sometimes I look out into the audience when I perform music. I don’t mean to take an subconscious pole of the demographics of the audience, but it’s hard not to notice. The picture above isn’t what I usually see, in fact the picture below is more of the reality of I tend to notice. Often I am the only person of color in the room, and after 20 years of holiday performances I started to wonder about those numbers.
I didn’t grow up going to classical music concerts, especially not during the holidays. So why and how I came to the place where I love classical music and am a performer of this music is a mystery to me. Either way this is the common ground under which the audience and I share community.
Many of my middle school students already know where they will be attending high school. When I was their age I had no ideas where I’d be spending the bulk of my teen age years.
There were only 3 real choices for me at the time. LaGuardia High School of Music & Art and Performing Arts, mainly because it’s one of 5 specialized public high school in New York City. LaGuardia was the only one of those schools who featured the performing arts as it’s identity. The others were all about science, engineering or math.
Stevenson High School was an obvious choice for me, partly because a lot of the people that march in the drum and bugle corps I was a member of went there. I knew they had a marching band and that was a big factor in my appreciation of that school.
Finally my other choice was Julia Richman – Talent Unlimited High School. They have a great performing arts department and were competitive with LaGuardia. I also knew a few of the students from my drum and bugle corps went there as well
The main reason for picking any of these schools was because they had music programs and members of the New York Lancers went to those schools. I guess the arts and like minded people to attend school with was important to me. In many ways that is still true today.
I was accepted to LaGuardia and I was very relieved to be going to a specialized HS in NYC. The movie FAME was about that school, so I was secretly humming that tune to myself when I got the news.
I was not a very good student, but I devoted myself to all my music performance classes. Music history and theory seemed like math, science and humanities. Not a good fit for me at the time. I had trouble putting into context why they weren’t as stimulating at the time, they were more of a hurdle I had to jump to graduate.
Eventually I got my act together as a student, and now I’m a teacher!
“What gives the artist real prestige is his imitators.” Igor Stravinsky
I deal with insomnia often. When this happens I try to do something productive. I’m a teacher, so I try to use this time to think about teaching or projects for my students. But before I was a music teacher I was a freelance musician. As a freelance musician you tend to give yourself project to match your thirst for creativity. At one point I decided to arrange a few pieces of music for a brass quintet. I did this often because I happen to be a member of a few brass quintets and thought, I might get some good traction if this arrangement becomes part of our normal repertoire. However the piece I choose was not working out in the way that I wanted it to work. The version I wanted to use as a scaffold was written for a large ensemble and a vocalist. The piece is by Kenny Wheeler and it’s called “Gentle Piece”.
After several attempts, over a few days, I totally hit the wall. At the time, I was also working on a graduate degree and preparing for a recital. So I had a lot on my plate. However, these sounds which I thought would work so well for the brass quintet and didn’t, felt great coming out of my out of tune piano. In fact when I tried the improvised section of Kenny Wheeler’s piece, I stumbled on to the opening ideas to my piece for trumpet and piano call “Fractured Trance”.
The opening idea lead me to explore more ideas around rhythm and space within that movement. That idea lead to a two more movements and later this became my first piece for trumpet and piano. I followed the same process with the second piece I wrote for trumpet and piano, which were both recorded by a Brian Chin. Finally I used this same process to compose a piece for my middle school students.
Out of that experience I figured out that I can use another source for inspiration, with the full intent on trying to recreate an idea, a vibe or a feeling offer to us by another person. It’s okay to imitate. This kind of imitation can lead to personal breakthroughs.
Now and again I tend to reminisce about my youth, and luckily what comes up most for me is the music I listened to. Lately I’ve been spending my time totally enamored with two specific groups, The New York Voices and the Pat Metheny Group. I listened to these pieces often and I fell in love with the artist as well. I can even make a direct connection between the woman I fell in love with (who is now my lovely wife of 13 years) and one of these groups.
The New York Voices are a vocal jazz quartet currently, however when I first learned about them they were a quintet. I listened to their self titled first album constantly, in fact it was the 3rd CD I remember ever buying in 1991. The song that has stuck to me like a great memory is titled Silence Of Time. Take the time to enjoy this piece.
The first time I heard Pat Metheny’s Minuano I remember it challenged all I knew about music. The lines between jazz and classical music were blurred for me since. Subsequently, I started to listen for common ground between genre’s and making connections across the different components within music. This piece moves and I remember it moving me as a teenager.