Teaching Orchestra and Band in a Digital Space: Day 4

Virtual Practice Rooms & Unintended Benefits

Today is starting to feel like things are getting into a rhythm. The first classes were a lot of “me” talking at kids and waiting for their responses, after a day of that I need to shorten the response time by students. Using the text section of our meeting was a handy tool especially for larger groups of students. It was like being on the receiving end of an intense text messaging conversation. The timing of your reactions was tantamount to your survival. With all that said, I know that the format for my largest class will need to change an individual project based class, as it seems we will be teaching and learning in our virtual classrooms till the end of April according to the latest news feeds.

The successes of the day come with the intermediate and beginning music classes. The classes were structured in smaller modules with two assignment tasks per class period. In my case, 85 minute class periods. Other teachers at my school structured their time this manner and seemed to have favorable results. I did the same with the idea that we would start our class period with some movement together (stretches or breathing exercisers) then moving to a topic related to our class theme. The academic work or the class assignment began at around the 20 minute mark of the session. Students then had a specific amount of time to work and come back to the virtual classroom, we then reviewed some of the materials, then move to the next task which involves students moving into virtual practice rooms. To work with their instruments (personal practice time), however, I popped in and out of the practice rooms and listen to their practice sessions.  

There were rooms with 3 or 4 students in each of the virtual practice space. The advantage of having these smaller meetings offered students an opportunity to have discussions about potential chamber music rep to practice or to help each other out with practice tips. This was an unintended benefit, however, I was glad to see it evolve before my eyes.

 

Teaching Orchestra and Band in a Digital Space: Day 3

The Good, The Bad, and The Surprising:

After a few days of meeting with classes and individually with students, I’m finding the work happening in this virtual space is providing great opportunities to work with students one on one. Setting aside time to chat with my advises has been really helpful. Meeting with a few of the stronger musicians together in my orchestra, and listening to them play through etudes has been good for the indiviualiezd instruction I can’t offer students in class settings with an entire orchestra in the room. 

However, today after meeting with my beginning band, my biggest fear about the delay in communication was confirmed. Realtime action over this system is not possible with the software tools I am currently running. Breathing exercises and stretches are communicated well enough through the digital systems. Anything involving realtime playing with a group did not work. Working with visual aids worked well on computers, some students had trouble with access on their tablets and smart phones. However, when we used the in-app whiteboard and other in-app visual aids, student interactions seem about the same as in person. I wrote on the white board and asked students one at a time to mark up the answers then sent them to  another resource that covers the same material. 

The next step is to have students record themselves playing the exercises a few at a time, then upload that as a graded assignment. I am fortunate students and I have access to an interactive classroom, and an audio digital workstation, where student can record themselves playing exercises and send it directly to me. To my surprise one students put a drum track to their major scales assignment.

Teaching Orchestra and Band in a Digital Space: Day 2

Today I want to talk about my set up for online classes. As you might imagine, space is at a premium, considering the usual amount of space most music teachers need to instruct large ensembles on a regular basis. I typically work out of several locations when I’m on campus (my office, my classroom and sometimes our performing hall). I happen to share office space with a great group of teachers from other disciplines. We spend a lot of time talking interdisciplinary pedagogy so that we can collaborate and offer students a different perspective and deeper understanding of a subject. More on that in another post…

Yesterday, and today, was about running the nuts and bolts of our classroom norms; syllabus, important dates and an assignment. Lots of me “talking at students” with occasional questions from them seeking clarification. One bright spot, and a different aspect of the online experience, was having students describe their workspace at home with the group. Our seven o’clock am class felt more vibrant (than usual) with everyone digitally sharing their new and unique experience; we were showing individual selfies, and at the same time, we were very much a group of connected learners.  

Today, especially, showed me that my music students were as uncertain as I was about the technical tools needed for this digital school work environment. For example, I showed them a view of my physical space so that they could see what I like to keep within my reach when I work and practice. My tools include a trumpet, metronome, tuners, music stand, sets of books I need to use for classes, wireless headphones, mouse, keyboard, midi-keyboard, usb condenser mic, physical notebook, pencils, computer monitor, two laptops, two lamps, and of course, my smart phone (and smart watch – I know…).  I may have also had a sleeping poodle behind my chair, but with my earphones and mic, dog snores were undetected.

Stay tuned for a breakdown of the digital tools needed to make this remote music teaching/learning engine run and hum.